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Friday, October 16, 2026
Bright Observer

Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

The work of Portishead co-founder Geoff Barrow, this sharp-edged if slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one key story turn, but it results in a comically executed rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film is in British and Irish theaters from November 17.

By

Tracy Castro

A technology journalist and science communicator with over a decade of experience covering emerging trends and their societal impacts.

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